With the Olympics just around the corner and China trying to parade around an image of serene happiness on the Tibetan plateau, this article speaks volumes about their on-going propaganda campaign.  This is taken from the Wall Street Journal Online edition.

China Eats Crow
Over Faked Photo
Of Rare Antelope

They Didn’t Truly Run
With a Train to Tibet;
Xinhua Agency Recants

By JANE SPENCER and JULIET YE
February 22, 2008; Page A1

HONG KONG — It turns out that train tracks in Tibet aren’t where the antelope play.

Earlier this week, Xinhua, China’s state-run news agency, issued an unusual public apology for publishing a doctored photograph of Tibetan wildlife frolicking near a high-speed train.

The deception — uncovered by Chinese Internet users who sniffed out a Photoshop scam in the award-winning picture — has brought on a big debate about media ethics, China’s troubled relationship with Tibet, and how pregnant antelope react to noise.

The antelope imbroglio began in the summer of 2006. The Chinese government was celebrating its latest engineering feat, and an enthusiastic wildlife photographer from the Daqing Evening News was camped out on the Tibetan plateau eating energy bars and waiting for antelope to pass.

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On July 1, 2006, in an event scheduled to coincide with the Communist Party’s 85th birthday, Chinese President Hu Jintao hosted the launch of China’s train to the “roof of the world.” The $4 billion Qinghai-Xizang railway — a remarkable system that transports passengers to an altitude (16,000 feet) so high that ballpoint pens can explode en route from the air-pressure change — traverses 1,200 miles of rugged terrain to connect the rest of China to the remote Tibetan plateau.

The train, which soon brought many visitors to the pristine homeland of Tibetan Buddhists, became a flash point for China’s long simmering tensions with Tibet. During construction, it drew fierce protests from environmentalists who said it would threaten the breeding grounds of the chiru, an endangered antelope species found mainly in China.

When the train service began, a remarkable photograph appeared in hundreds of newspapers, and it eased environmental concerns. The picture, captioned “Qinghai-Tibet railway opens green passage for wildlife,” featured dozens of antelope galloping peacefully across the Tibetan landscape, unfazed as the gleaming silver train raced beside them.

The photo was the work of Liu Weiqing, a 41-year-old photographer who had been camped with his Jeep on the Tibetan plateau since March, as part of a highly publicized series by the Daqing Evening News, a regional newspaper, to raise awareness of the rare Tibetan antelope. Mr. Liu was also under contract with Xinhua to provide photos for China’s largest government-run news service.

“One man, one car, one year…and a campaign to protect Tibetan antelope,” he wrote on his blog describing the project.

Once nearly wiped out by poachers who made shawls from its wool, the chiru’s numbers have increased in recent years, and the knobby-kneed bovid has emerged as a symbol of China’s environmental-protection efforts. Yingying the Tibetan Antelope is one of the five official mascots of the 2008 Beijing Olympics.

Some antelope lovers knew from the start that something was wrong with Mr. Liu’s photo. “I was really shocked when I first saw the photo,” says Yang Xin, of the antelope protection group Green River. For starters, he says, many of the antelope in the picture appeared to be pregnant and there were no young with the herd. That was a tip-off because many antelope would have given birth before late June when the photo was supposedly taken.

In late 2006, Mr. Liu’s picture was declared a top 10 “photo of the year” by CCTV, China’s state-run television network. Mr. Liu appeared in fatigues on national TV and described waiting in a pit for eight days for the antelope to pass at precisely the same moment as the train.

“I wanted to capture the harmony among the Tibetan antelope, the train, men and nature,” he told the audience, standing on stage in front of a big projection of the photo.

Media critics say the photo’s deeper message was hard to miss. “It’s such a perfect propaganda photo,” says David Bandurski a researcher at the University of Hong Kong China Media Project. “They don’t tend to give journalism prizes to reports that rock the boat.”

Other photographs that took home awards that night included “Facing a harmonious future,” a picture of Chinese President Hu posing with world leaders, and a “A trip to apologize,” a picture of a Japanese monk apologizing to China for Japanese atrocities in World War II. CCTV didn’t reply to inquiries about its criteria for photo awards.

Suspicions about the photo became public last week after Mr. Liu’s photograph was displayed in Beijing’s subway system. An anonymous Chinese Internet user going by the screen name Dajiala raised questions about the photo’s authenticity on one of China’s largest photography Web sites. Dajiala, a photographer who claimed to idolize Mr. Liu, said he was studying a copy of the photo posted on Beijing’s Line 5 subway platform when he rubbed some dust off it and noticed something odd.

“At the bottom of the photograph, there was a very obvious line,” he wrote. “I examined it very carefully and it was obviously the stitching of two different images….Was this decisive moment just a simple Photoshop trick?”

His post created an online storm. Photographers blew up the image and analyzed each out-of-place pixel. Animal behaviorists weighed in, explaining that antelope are shy and noise-sensitive, and would scatter in panic at the sound of the high-speed train. When the chat-room controversy spread to China’s largest Internet portals, the Chengdu Business Daily confronted Mr. Liu.

Cornered by the mounting evidence, Mr. Liu admitted he had indeed used Photoshop to blend two pictures, according to the newspaper.

Mr. Liu resigned from the Daqing Evening News and posted a statement on his blog. “I have no reason to continue my sacred career as a newsman,” he wrote. “I am not qualified for the job.” His editor then resigned, too, and the newspaper posted an apology on its Web site. The newspaper didn’t respond to repeated calls to its office. Mr. Liu didn’t answer calls to his cellphone.

Some of China’s Internet users expressed outrage that a photo easy to spot as fake had been widely circulated by major organizations. “We need an apology! This is very important for journalistic photography in China,” wrote one Internet user on a photography site.

It isn’t clear what was behind Mr. Liu’s deception. Some suspected he was the victim of his own ambition, and doctored the photo knowing that its patriotic message would appeal to China’s news agencies. “Liu knows how to please his master,” wrote one anonymous poster on the Internet.

His friends say he was dedicated to his job and determined to raise the profile of the embattled antelope. “He was a good guy,” says Zhou Zhuogang, an environmental activist from Shenzhen in southern China who met Mr. Liu in the summer of 2006 when the two men were at a volunteer station on the Tibetan plateau. “He loved photography, and he loved the antelope. I don’t know what pushed him to do this.”

Some suspect pressure to create the photo came from above. “When everybody points a finger to the photographer, we actually missed the real core problem here,” says Wang Yangbo, editor of Wen Wei Pao, a Hong Kong Daily. The photographers “are nobodies in the scheme of things here,” she adds.

Earlier this week, CCTV posted a statement on its Web site saying it was revoking Mr. Liu’s award. On Monday, Xinhua, China’s largest news organization, and several other government news organizations published an apology for circulating the photo. The companies said they would delete all of Mr. Liu’s images from their databases.

“We call on the public to work together with us to uphold the authenticity principle of news reporting,” the statement said. Xinhua didn’t respond to requests for comment.

Write to Jane Spencer at jane.spencer@wsj.com² and Juliet Ye at juliet.ye@wsj.com³

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